BYRD: Corpus Christi Propers
BRITTEN: Evening Primrose, Ballad of Green Broom
HARRIS: Bring Us, O Lord God
BENNETT: A Good-Night
THEOFANIDIS: Messages to Myself III
SMILEY: 2017 Festival Commission
The festival kicks off with an a cappella choral concert meditating on themes of transformation, change, and metamorphosis. The world premiere of a commission from Moira Smiley featuring the Ad Astra Chamber Choir and Kansas bluegrass duo, Scenic Roots. The commission is made possible by a grant from the Russell County Area Community Foundation and the Dane G. Hansen Foundation.
Russell native and Ft. Hays State University jazz professor, Brad Dawson, leads Kansas City Jazz in an evening performance at Granny Mae's Barn.
Matt Otto, saxophone | Brad Dawson, trumpet | Roger Wilder, piano | Gerald Spaits, bass | Todd Strait, drums
Cocktails and bar snacks will be served.
Aani Bourassa, Janie Brokenicky, Calder Craig, Michael Davidson, Dan Moore, and Katelyn Mattson-Levy perform Second Nature composed in 2015 by rising opera hot-shot, Matthew Aucoin. Conducted by Max Holman, this post-apocalyptic tale delves into themes of generational conflict and temptation to explore the unknown. View a full synopsis of the hour-long work here. Mary Box (piano), Kristin Pisano (clarinet), and Allison Lint (violin) round out the chamber ensemble.
BERNSTEIN: Chichester Psalms
LARSEN: Cowboy Songs
Leonard Bernstein's colorful choral masterpiece will feature the community choir, Noël Wan on harp, Russellites Jacob Long and Alex Lofland on percussion, and returning to play the magnificent organ at Trinity United Methodist Church, Jonathan Young. This all-American program provides a collaboration between the Ad Astra String Quartet and our guest harpist, a showcase piece for soprano, Megan Pachecano, and pianist, Matthew Piatt. The evening closes with a chorus from Kansas composer Kirke Mechem's opera, John Brown.
PRESTINI: Body Maps
HAYDN: Op. 77, No. 2 in F Major
DVORAK: American Quartet mvt. 4
Ben Cline and Aani Bourassa bring the work of Paola Prestini for the Kansas premiere of the interdisciplinary work. Combining the visual art of Erika Harrsch, Body Maps features cello and soprano in an exploration of the strengths and vulnerabilities of our bodies. The Ad Astra String Quartet plays a work by 2013 Pulitzer Prize Winner, Caroline Shaw, and ends again this year with the finale of Dvorak's American Quartet.
HAILSTORK: Ventriloquist Acts of God
MANDEL: Poetry of E.E. Cummings
LARSEN: My Antonia
KOUYOUMDJIAN: Where Once from Gorky | Everlastingness
The festival's 2017 Young Artists champion new music by singing sets of songs composed within the last fifteen years. Designed by Katelyn Mattson-Levy, Memories never finish is a program exploring varying recollections: visceral, foggy, haunting, comforting, complex. Accompanied by the endlessly talented Victoria native, Matthew Piatt.
The festival will close with a semi-staged performance of Samson. Based on John Milton's tragedy and the Old Testament's Book of Judges, the title character is found in captivity after Dalila depletes his strength by cutting his hair. Handel's masterpiece utilizes metaphors of light and besieging darkness to a gripping re-telling of this famous story. John Irving leads a cast of James Reese, Megan Pachecano, Tim Parsons, and Dan Moore alongside the Ad Astra Chamber Choir and Festival Orchestra.
The Young Artists with special guest, Nathan Hilger, will sing this beautiful mid-Renaissance mass. Not only is it historically relevant, but Josquin’s polyphony is sublimely stunning to experience live and during a complete mass. Like all Masses at the Basilica, this Mass is open to anyone who wishes to attend.
The Ad Astra Chamber Choir & Festival Orchestra retell Handel's dramatic oratorio in a semi-staged production for the final performance of the 2016 Ad Astra Music Festival.
Matthew Anderson, Jephtha | Megan Pachecano, Iphis | Katelyn Mattson-Levy, Storgé | Timothy Parsons, Hamor | Daniel Moore, Zebul
Alex Underwood, conductor
The festival's Young Artists with Matthew Piatt at the keyboard present a program that pairs personal stories of Russellites with matching art songs. The program is designed by artist-in-residence, Katelyn Mattson-Levy.
Nini Marchese, soprano | Jessica Kerler, contralto | Francis Williams, tenor | John Bitsas, baritone | Matthew Piatt, piano
The Ad Astra Baroque Consort participates in the liturgy at St. John Lutheran Church with J.S. Bach's cantata, Was frag ich nach der Welt. The Young Artists will be the soloists and the Baroque orchestra will include Russell native, Earle Dumler, as principal oboist. Like all services at St. John Lutheran Church, this service is open to anyone who wishes to attend.
John Irving, conductor
In the first half of the evening, keyboardist Max Holman and string artist-in-residence Benjamin Cline share Pärt's "Spiegel im Spiegel" and Bach: Cello Suite No. 2 in D minor, Prelude and Fugue No. 15 in G major from WTC Book 2, and Viola da Gamba Sonata No. 1 in G major. In the second half, the Ad Astra String Quartet digs into the chamber music repertory in its inaugural season. They'll play Nico Muhly's 2011 composition, Diacritical Marks and close with the finale of Dvorak's American Quartet.
The Russell Community Choir performs one of the 20th century's greatest artwork, Maurice Durufle's Requiem.
Alex Underwood, conductor
Jonathan Young, organ
Michael Davidson, tenor, Aani Bourassa, soprano, and César Cañón, piano bring to life Robert Schumann's beloved song cycles, Dichterliebe & Frauenliebe und -leben.
Artistic directors Alex Underwood and John Irving will join Young Artist, Nini Marchese in an historically-informed performance of this late Renaissance English masterpiece during the 10:30am Mass at St. Joseph's Catholic Church in Hays. As with any Mass at St. Joseph's, this Mass is open to anyone who wishes to attend.
Come hear the cool sounds of Brad Dawson and Kansas City Jazz as the summer Kansas sun sets at Granny Mae's Barn near Dorrance. Cocktails and snacks will be available for purchase.
Brad Dawson, trumpet | Matt Otto, saxophone | Roger Wilder, piano | Gerald Spaits, bass | Todd Strait, drums
The Ad Astra Chamber Choir presents polyphonic, a cappella settings of the Mass ordinary. Exploring the resplendent acoustic of St. Mary's, THE MASS UNORDINARY pairs iconic movements of Palestrina, Vaughan Williams, Rheinberger, and a commissioned work from Michael Gilbertson.
Max Holman, conductor
After three days of workshops, classes, and rehearsals, the festival's High School Honor Choir performs Carissimi's Jonas and works about shipwrecks and tempests, including an arrangement of Florence + the Machine's "Ship to Wreck" and a new work by Max Holman using texts from the National Weather Service tornado warnings surrounding the 2007 Greensburg, KS tornado. This is no admission fee for this concert and it is open to the public.
John Irving and Alex Underwood, clinicians
Purchase season tickets for every performance of the 2016 Ad Astra Music Festival.